The assembly As a contemporary Presbyterian, I find the Roman Catholic service to be so laden with mythological dogma that has it has no relevance to the present. In the…
From left: Daniel Stepner, tenor Frank Kelley, soprano Kristen Watson by Kevin T McEneaney This unusual Aston Magna concert featured a double bill: Naples-born Alessandro Scarlatti’s “Humanity and Lucifer” (1704)…
Daniel Stepner Preview by Kevin T McEneaney I spoke to virtuoso violinist Daniel Stepner, Artistic Director of Aston Magna for the past thirty years, about his upcoming series of concerts:…
by Jim Flaherty There are no perfect Fathers. Okay, okay, I apologize. That broad generalization is a personal reflection. And this essay is focused on earthbound 20th century fathers, not Heavenly…
Zhu Wang at the keys. Photo by Brian Keeler by Kevin T McEneaney Pianist Zhu Wang was introduced by Artistic Director Shuhui (Sophia) Zhou who noted that Zhu Wang won…
Kazemde George, Tyron Allen II, Kayvon Gordon. Photo by Tonia Shoumatoff by Kevin T McEneaney When it comes to jazz, the first image that appears with enhanced approval in my…
by Kevin T McEneaney If you still have a touch of the Pandemic Blues, you can chase those worries away by attending Amélie at Rhinebeck’s Center for Performing Arts where…
Mishka Rushdie Momen by Kevin T McEneaney Champions of Salon Music offered a taste of mid-18th century salon music from Berlin, played by Mishka Rushdie Momen from England. Momen was…
Juan A. Mesa, Hideki Yamaya, Christine Gevert Claudio Merulo by Kevin T McEneaney Trinity Church in Lime Rock, CT, hosted a Baroque concert, “The Art of Improvisation” by Crescendo last…
Conductor Peter Askim and orchestra by Kevin T McEneaney Sometimes one can be transported or teleported to another planet by attending a concert; it was one of those magical Saturday…